Our new website is live! Please reset your password.

Writing is an essential part of curatorial practice that takes many formats, from concept proposals and interpretive texts to press materials and catalogue essays. Writing is also at the core of the loose and fluid thinking that precedes the concept, making it a tool for developing and refining ideas. In this course, you will learn to cultivate a holistic writing practice that serves you through the phases of curation, from personal ideation to public communication.

Over five weeks, we will explore curatorial writing in its varied modes, practicing how it can carry your voice, reach diverse audiences, and shape the narrative of a show. We will also discover the pleasures of a regular writing practice and consider creative formats, such as a diary to guide the curatorial journey, as well as sketches in notebooks.

Through case studies and practical exercises, you will improve your writing skills, expand your understanding of what curatorial writing can be, and work with its many potentials to enrich your practice as a curator.


Course Outcomes:

  • Practice various forms of writing, from exhibition proposals and wall texts to speeches and interviews
  • Cultivate a distinct voice and adapt it across different contexts
  • Apply writing as a tool for ideating and clarifying concepts
  • Experiment with creative writing formats
  • Learn strategies to turn curatorial texts into interesting reads


Photo by Max Zhang on Unsplash

Video conferences every Wednesday from 3pm to 5pm Berlin Time CET. Recordings will be available in case you miss a live session!

Week 1: Introduction

This is a one-hour welcome session. The lecturer will introduce the program and participants will introduce themselves. No prior preparation is necessary.


Week 2: Curatorial Ideas and Thoughts

Writing as a process of thinking is key. How can curators spend more time being writers?

How can writing help to identify one’s stakes in the artworks and catch blind spots in thinking?

  • Creative and critical thinking through writing
  • Case studies: Notebooks, diaries, diagrams
  • Can writing also help to get a feeling for the exhibition space? 
  • Thinking outside the box


Week 3: Curatorial Proposal

How to create an exciting curatorial proposal based on our ideas? How to turn the curatorial statement into an interesting read?

  • Aims of a curatorial concept
  • Close reading of a selection of curatorial proposals
  • The curatorial proposal as a literary text
  • Practical writing exercises


Week 4: The Exhibition

In this session, we explore how writing is present in the exhibition with a special focus on the catalogue essay.

  • Accompanying exhibition texts: wall text & labels
  • The catalogue: from the curatorial proposal to the essay
  • Close reading of case studies
  • Creative writing exercises to explore various possibilities


Week 5: The Opening

In this session, we see how writing can prepare us for the public part of the exhibition. First, there is the press text, which is based on the initial curatorial proposal. Second, what do curatorial voices do as they move from page to air?

  • The press talk and the curatorial speech
  • Talking in the exhibition 
  • Interviewing an artist

Language
Classes are held in English.

Format & Modality
The course is fully online and taught live via Zoom in small, interactive groups to support active learning. Live captioning is available during the sessions.

Schedule
Live sessions take place every (Day) from (Time) (Berlin time, CEST).

Attendance
Live attendance is encouraged to get the most out of the course, but recordings are available if you cannot attend a session.

Course Materials
All course materials—including recordings, readings, and presentations—are available on the Node platform for as long as you wish.

Assignments
Optional assignments are included, with personal feedback from the lecturers to help you apply what you learn. Please note that feedback is provided only during the course dates.

Certificate
A downloadable certificate is available upon course completion.

Technical Requirements
A stable internet connection, a computer with a camera and microphone, and access to Zoom are required.

Questions?
Check our FAQ or contact us via our online form.



An Paenhuysen

Read Bio Next

Recommended Courses

Duration Jan. 07 - Feb. 04, 2026

Creative Art Criticism and Writing

Duration Feb. 09 - Mar. 16, 2026

A Practical Guide to Curating

Duration Feb. 11 - Mar. 11, 2026

Public Speaking for Artists and Curators

Duration Soon to be announced

International Curatorial Program - Spring 2026

Developing Curatorial Concepts: Research & Creative Ideation

Art Criticism and Writing: an Introduction

Budgeting for Exhibitions and Art Organizations

Exhibition Texts: Writing, Editing and Ethics

Creating Social Media Content for the Arts: 2 Day Workshop

Launching an Independent Art Space: Conceptual and Practical Skills